If you’ve just returned from a trip, opened your laptop to a blank word document, and immediately found yourself battling a case of writer's block, these tips from first-time travel writers might help you get started.
I sat down for a three-day seminar with Lonely Planet author and freelance travel writer Anthony Ham, where I got the opportunity to pick his brain for the finer details of how to make a mark on an industry that seems to be harder and harder to break into.
Here are a few practical tips for anyone looking to take the plunge but are feeling a bit unsure of how to get started.
Be aware of details like content type, word count, and paragraph formatting, then write an article specifically targeted to that editor's preferences. Look for the type of phrases that crop up. How formal or casual are the articles? Does this publication allow for "they" to be used as a singular? Do they allow articles which use "you", or "I", or do they prefer something less personal?
An editor is more likely to find something that catches their eye if they have a few options to choose from.
If you want to write about a spring festival in Malaysia, don't submit it in the middle of summer when it doesn't matter.
A lot of people in the business won't be interested in helping someone new, but if you're lucky, you'll find someone here or there who will be willing to help you get your foot in the door.
Take photos of everything you want to remember. Record audio so you can recall what it sounded like. Interview anyone who might be useful to you later. Write down your experience in detail. At the end of the day, this is what will eventually bring it back to life for your reader.
First let me say, there are many rules and guidelines and tips and tricks out there for getting travel writing published, and they are all applicable at some point.
Here are the top 10 things I learnt while on assignment in Australia:
At the end of each day, write down at least three scenes. For each scene, write at least three distinctive adjectives. You of course won’t use all this material, but it serves as a skeleton should you need to flesh it out.
I found it useful to use my phone to take quick photos to serve as reminders of the atmosphere, and to catch audio recordings of my surroundings to help place me back in that spot later when I'm writing.
I always had a small notebook to jot down small details that are easily forgotten, or to remind myself to look something up later.
Plans made it easier for things that require a reservation, and also helped me frame the right questions so I knew what to ask.
When you finally get home and are able to sit and write, remember that every story needs a beginning, middle, and end – a narrative arc.
Cultivate your voice in these stories; it is your voice that is unique.
Travel is about a sense of place. This needs to be shown through a snapshot of words, with nothing extraneous. Evoke feelings with a sense of action, not just description.
It’s the unexpected, quirky details that will have the most impact.
Use language that is beautiful but concrete. Too much flowery language takes away a sense of action or realness. Every sentence should have a purpose to move the story along.
The most important thing that I’ve learned as a writer is give them what they want. Editors, publishers, your audience – they all tell you what they want. Sometimes you have to ask them first, but it’s not a secret. You might not always be writing exactly what you want to write, but you will be giving people what they want and that will keep them asking you for more. Eventually you will have more pull in guiding people to what they don’t even know they want yet. And that’s where the true power of a writer lies.
“A travel writing assignment?” cooed my friends, with eyes all rounded and unblinking. I couldn’t believe my luck. I was going on a 10-day Australian road trip, where my only job was to lap up the many adventures that lay in wait for me Down Under.
Being a first-timer, I was fortunate to have Lonely Planet’s Anthony Ham as a mentor. From his wisdom during my first trip, I’ve answered a set of questions that I’m sure niggles at most newbies.
While a lot of people prefer to just wing it on the go, I say it bodes well to check for workshops, performances and free museum days before your trip.
Festivals too make for great stories and give the city a whole new dimension, apart from costing next to nothing to attend.
If you do have any places of interest, email the museum or event coordinators and tell them you’re a travel writer looking for a story. If you’re lucky, you might even end up getting a private tour of the place!
I assumed that my thrilling travel experiences would be etched in my memory forever. Not surprisingly, I was wrong.
I soon found myself staring into the eyes of a soulless white page, chastising myself for not making my daily notes as Anthony suggested.
Carry a voice recorder and make your observations on the go, or simply leave it on at a crowded place to play ambient sounds that will inspire your writing.
You could write about that ninety-year-old elephant keeper in Kerala, or your upturned travel plans when a freak blizzard hit Japan.
Remember, it doesn’t even have to be dramatic – it could simply talk about your observations while walking down the crowded bazaars in Istanbul. The sharp smell of pepper flakes mingled with the mustiness of loosely hung carpets.
“Show, don’t tell,” says Anthony.
The first thing you should do is shortlist a few publications that you think would be interested in the place you’ve visited. Read their last 10 features and find the formula. Yes, there’s always one. Do they all have a human story at its center? Perhaps they’re all informative. Or centered around food. Are they about 1,000 words each? Now send them an intriguing 100-word pitch that leaves a lot of questions unanswered. Suspense sells and always will.
Details. Quotes. Pacing. These are the key elements to any well written travel story. NY Times contributor Tim Neville unpacks how to build an enthralling narrative for any brief.